Wednesday, May 28th- Turns out the projector 1 movie rendered out okay on one computer, but the other computer ran out of memory when rendering projector 2. I took the first movie up to the space today and tested it out. It looks good, save for some top and bottom light spillover. The projector platform had to be angled a bit, and the tie rods bend slightly towards the front, but they seem quite strong. Speaking of which, I switched out the short rods for longer rods, so now I can actually hit the wall instead of over it. I had to cut some of the short rods off to remove them, and they take a lot of force, so these new longer ones should hold up.
The audio can get very loud, but obviously I can turn the speaker down. The helicopter sound that plays when the helicopter flies across onscreen is entertaining and annoying at the same time, but it kind of mirrors the real thing.
The earth magnets look good, so thanks to Kartz for the suggestion. They are small and strong and can be covered up with bits of paper later.
Tuesday, May 27th- Finalized, for now, projector 1 and projector 2 videos, exported them both out of Final Cut. I tried to make absolutely certain the animations will fit when I project them on the drawings, i.e. putting them in places where they are practically guaranteed a large enough white space. Again, working with the Eastern style landscape perspective lets one bend the rules a bit with the composition.
The audio is interesting. Of the several hours of audio I recorded from the beach, most of it is too windy and distorted to be useful, however I was able to edit down about forty seconds of it to be used in a looping section, fading the same section into copies of itself. My bird recordings are decent enough, and the helicopter noises are passable, but I decided to simulate one on my electric guitar, using some overdrive on the amplifier and the pickup switched over close to the neck with the tone dial turned all the way down. I also stood over my bathtub with two basins of water and alternately splashed one into the other to simulate large waves breaking. I slowed these recordings down and set them to occur about every three minutes or so. They sound like a combination of swelling wind and waves.
Monday, May 26th- Kartz smoothed some special putty(?) over the sides and middle seam of my free standing wall. Also, the day before she and Mariko glued nice-looking corner-covers on the sides of the wall. I am to sand and then paint these sections today or the following Wednesday.
A few other major tasks, those being screwing in the tie rods on the top platforms, and screwing in the bottom platforms too. Surprise--the tie rods are not long enough for the projectors to hit down and onto the wall. At this point they can only hit over the wall, out of my entire bay, and into the hallway about fifty meters straight across.
Working with extension cords and planning on how to staple them across the ceiling and towards the space behind the wall, where the cord should drop and plug into the wall.
Tie rods Colin W and Kartz generously bought for me; unfortunately they are too thick for the platform holes.
Panel 3 removed so the center wall seam may dry. I put it up too early and the paper warped--temporarily, fortunately.
Sunday, May 25th- In the space in Portland, Kartz suggested to nix the grommet hinges and use earth magnets, which can be set at the drawing panels' four corners and will magnetize to nails pounded flush into the wall surface on the other side of the paper. She also suggested to use four grommet hinges instead of the planned six for each panel--if I were to continue using them. Also, brass/gold nails may work well to hang them with. With both the grommets and magnets, I would still be using poster adhesive squares on the sides of the panels to hold down the edges; they still curl up.
For now I stuck up the drawings with masking tape to position them, accompanied by a level, and took a look at them on the wall for the first time. The wall is free standing, and it is important to keep equal space on either side of the landscape edges; something I did not do the first time out. I kept the panels twenty inches from the ground line, a measurement based on the height from the floor of a large window in my house. Also, it is a good height so everyone may comfortably view the work.
With Colin W's help, we screwed the top platforms into the ceiling after measuring where the projectors would hang over the floor. We also mounted the audio speaker platform in the middle of the projector platforms.
Notice how Ben's dad is doing all the work while Ben is taking pictures.
Projector platforms, upside down
Speaker platform
First hanging.
Saturday, May 24th- Back in Eugene I talked about my aircraft cable method with True Value hardware, and they suggested I use metal tie rods with nuts and washers instead; this method will work just as well and is less expensive. The top platform mounts to the ceiling with screws, followed by tie rods dropping down from its four corners, followed by the bottom platform connected at the other end. The nuts and washers can be screwed up and down below the bottom platform to raise and lower it as well as angle it when projecting images.
Straps, buckles and screws can be attached around the lower platform to secure the equipment. Finally, I am using two of these platform setups; one for each projector/computer station.
Laid out all the animations for projector 1, plus most of the audio, and completed about half of the animation layouts for projector 2.
Friday, May 23rd- Walls built in the space. It took the better part of the afternoon. There were few glitches and they look nice. We will putty/sand/paint the crevasses in the days to follow.
Thursday, May 22nd- I worked more on processing the animations through Illustrator. About half of us are planning on installing our work this Memorial Day weekend.
Colin W, Mariko, Joel and myself loaded the rental truck Thursday night in preparation to drive up the next day. I only put my drawings in the truck; I planned to take the equipment up during the weekend.
Wednesday, May 21st- I met with Don again to discuss platforms for the projectors and mac mini computers, and he was willing to help me build them, while I should get some aircraft cable and accessories and hang them from the ceiling in Portland that way. This method may be pricey, but Don says it is worth the cost.
I showed Kartz another test projection, this time with looping ocean audio. She showed me how to go into Final Cut and use the Add-Subtract-Multiply function on the timeline to darken the images; everything is very light. Again, I am working with slightly, but not large, animations projected on larger white spaces elsewhere on the landscape, which has plenty of room to lay out.
The group is arranging to build the walls in the Portland space on Friday.
Tuesday, May 20th- Worked like a machine to get the animation still jpeg files traced in Illustrator, scaled and readied for more tests on Wednesday. Illustrator will not pull each of the files out and open them for you; that takes some programming which is beyond my capability, but it will do the tracing and scaling by itself after you choose the jpeg file to open and begin the action set you want done. Saving the file is also manual. My animations range from things like the kite and picnic, which run 40 or so frames, to the stick being dragged on the beach by me as a child, which is 130 frames. I can work fast enough to process a hundred or so frames in about an hour.
Monday, May 19th- Kartz and myself did more tests with the smaller animations projected on the drawings, and it turns out there is hope for my original plan after all. I was originally intent on fitting the animations into little spaces measuring several millimeters in diameter; but this is not possible/possible but the results are projections nobody can see. I adjusted where I wanted the animations, i.e. moved them around to other white spaces where they could be bigger. The great thing about this Eastern style of landscape is that it pushes the laws of perspective; small things and large things fit around one another in a composition that is nowhere near as rigid and physics-abiding as Western rules of the same genre. The other thing I noticed was that basically everyone else except me believed the large white expanse below what was drawn was actually beach instead of ocean. (I saw the bottom white stretch as a kind of misty, frothy ocean.) It's no wonder there was much confusion explaining my ideas on Monday, but now I understand where everyone is coming from. I will incorporate this idea into the work, but at the same time I like the idea of the sharp coastline dropping off into a white, formless sea instead of just jutting out of a white beach.
Michael Smith, one of the support technicians here who is helping us with our needs for the Portland space, suggested I talk to his colleague Don McIntyre a week before about building a platform for my audio speaker unit to hang from the ceiling. I did not get around to seeing Don until today, but he was very helpful in helping me create a platform. He said it would be ready by Thursday.
Sunday, May 18th- The larger and revised versions of the animations, with red square placeholders left for the Chinese characters, were completed. I then consulted my father for the correct translations for all phrases: "Flying a kite with mom," etc. (Ironic considering my father is a middle-aged white guy who studied Chinese at the U of O for several years, while my Chinese-American mother is very limited in the language, and myself next to nothing, but that is a different subject.)
Joel Mertz
Colin Williams
Justin Phillipson
Colin Williams
Mariko Sasaki
Ben Davis
Sam Buchanan
Joel Mertz
